{"id":366,"date":"2024-06-23T15:16:40","date_gmt":"2024-06-23T13:16:40","guid":{"rendered":"https:\/\/dnmpfu.nu\/?page_id=366"},"modified":"2024-11-23T01:10:01","modified_gmt":"2024-11-22T23:10:01","slug":"call-for-papers-2024-music-and-wellbeing","status":"publish","type":"page","link":"https:\/\/dnmpfu.nu\/index.php\/call-for-papers-2024-music-and-wellbeing\/","title":{"rendered":"Call for Papers 2024 &#8211; Music and Wellbeing"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"366\" class=\"elementor elementor-366\">\n\t\t\t\t<div class=\"elementor-element elementor-element-64613697 e-flex e-con-boxed e-con e-parent\" data-id=\"64613697\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4c3c810 elementor-widget elementor-widget-heading\" data-id=\"4c3c810\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.22.0 - 16-06-2024 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h2 class=\"elementor-heading-title elementor-size-default\">Call for Papers 2024 - Music and Wellbeing<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-498b8817 elementor-widget elementor-widget-text-editor\" data-id=\"498b8817\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.22.0 - 16-06-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p>We are currently witnessing an escalating well-being crisis among children and young people (Ottosen et al., 2022, 2018; Katznelson et al., 2022). Traditionally, engagement with aesthetic forms of expression has been recognized for its positive impact on well-being, a perspective supported by numerous recent studies (Zbranca et al., 2022; Fancourt &amp; Finn, 2019). Specifically, within the realm of music, research underscores the benefits of musical communities and communal singing for enhancing well-being (Daykin et al., 2013; Vuust, 2017), as well as the advantages of creative work with music (Bruun, 2023; Hallam &amp; Himonides, 2022).<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>However, there is a need for further understanding of how music can positively influence well-being across diverse contexts. We need to explore which pedagogical and artistic approaches, formats, and frameworks characterize a music pedagogy that promotes well-being. Therefore, we invite contributions that provide insights into how, and under what conditions, music pedagogy, in its broadest sense, can support well-being in contemporary society, particularly among children and young people. We are interested in perspectives from both Denmark and the international community. The special issue can include both empirical and theoretical studies, and the articles may be based on various methodological approaches and traditions.<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:heading --><\/p>\n<h2>Important dates and deadlines<\/h2>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p><b>15. November 2024, 12 o\u00b4clock:<br><\/b><span style=\"font-style: inherit;font-weight: inherit;color: var( --e-global-color-text );font-family: var( --e-global-typography-text-font-family ), Sans-serif;text-align: var(--text-align);background-color: var(--ast-global-color-5)\">Submission of abstract: Title, 500 words, five keywords and autobiography emailed to Thomas Thorsen (<\/span><a style=\"font-style: inherit;font-weight: inherit;font-family: var( --e-global-typography-text-font-family ), Sans-serif;text-align: var(--text-align)\" href=\"mailto:thth@pha.dk\">thth@pha.dk<\/a><span style=\"font-style: inherit;font-weight: inherit;color: var( --e-global-color-text );font-family: var( --e-global-typography-text-font-family ), Sans-serif;text-align: var(--text-align);background-color: var(--ast-global-color-5)\">) and Mikkel Snorre Boysen (<\/span><a style=\"font-style: inherit;font-weight: inherit;font-family: var( --e-global-typography-text-font-family ), Sans-serif;text-align: var(--text-align)\" href=\"mailto:msb@pha.dk\">msb@pha.dk<\/a><span style=\"font-style: inherit;font-weight: inherit;color: var( --e-global-color-text );font-family: var( --e-global-typography-text-font-family ), Sans-serif;text-align: var(--text-align);background-color: var(--ast-global-color-5)\">).<\/span><span style=\"background-color: var(--ast-global-color-5);color: var( --e-global-color-text );font-family: var( --e-global-typography-text-font-family ), Sans-serif;font-style: inherit;font-weight: inherit;text-align: var(--text-align)\">&nbsp; &nbsp;<\/span><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>1. February 2025<br>Submission of full paper<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>1. February 2025 \u2013 1. July 2025<br>Review process<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>August 2025<br>Production and proofread<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Fall 2025&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br>Publication<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:heading --><\/p>\n<h2>The editors<\/h2>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>The call is orchestrated and coordinated by the Danish Network of Music Pedagogical Research (DNMpFU, <a href=\"http:\/\/www.dnmpfu.nu\/\">www.dnmpfu.nu<\/a>) in collaboration with Danish Yearbook of Musicology (<a href=\"http:\/\/www.dym.dk\">www.dym.dk<\/a>). The chief editors are the heads of the network Mikkel Snorre Wilms Boysen and Maria Westvall, supported by the coordination group in DNMpFU and the editors of Danish Yearbook of Musicology.<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:heading --><\/p>\n<h2>The coordination group of DNMpFU<\/h2>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:list --><\/p>\n<ul>\n<li style=\"list-style-type: none\">\n<ul><!-- wp:list-item --><\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li>Mikkel Snorre Boysen (forperson),&nbsp;Docent Professionsh\u00f8jskolen Absalon&nbsp;\u2013 msb@pha.dk<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><!-- \/wp:list-item --><\/p>\n<p><!-- wp:list-item --><\/p>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li>Maria Westvall,&nbsp;Professor i musikp\u00e6dagogik RMC&nbsp;\u2013 mw@rmc.dk<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><!-- \/wp:list-item --><\/p>\n<p><!-- wp:list-item --><\/p>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li>Line Fredens,&nbsp;DKDM&nbsp;\u2013 line.fredens@dkdm.dk<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><!-- \/wp:list-item --><\/p>\n<p><!-- wp:list-item --><\/p>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li>Torben Westergaard,&nbsp;Det Jyske Musikkonservatorium&nbsp;\u2013 towe@musikkons.dk<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><!-- \/wp:list-item --><\/p>\n<p><!-- wp:list-item --><\/p>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li>Peter Schmidt Bruun,&nbsp;DKDM&nbsp;\u2013 Pbr@dkdm.dk<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><!-- \/wp:list-item --><\/p>\n<p><!-- wp:list-item --><\/p>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li>Michael Fjelds\u00f8e,&nbsp;Professor KU&nbsp;\u2013 fjeldsoe@hum.ku.dk<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><!-- \/wp:list-item --><\/p>\n<p><!-- wp:list-item --><\/p>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li>Anne Gry Haugland,&nbsp;Lektor, DKDM&nbsp;\u2013 anne.haugland@dkdm.dk<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><!-- \/wp:list-item --><\/p>\n<p><!-- wp:list-item --><\/p>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li>Margrete Hedegaard Rasmussen,&nbsp;Lektor, UCsyd&nbsp;\u2013 mhra@ucsyd.dk<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><!-- \/wp:list-item --><\/p>\n<p><!-- wp:list-item --><\/p>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li>Martin Guldberg,&nbsp;Aalborg Universitet&nbsp;\u2013 musmg@cc.au.dk<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><!-- \/wp:list-item --><\/p>\n<p><!-- wp:list-item --><\/p>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li>Mimmi Bie,&nbsp;RMC&nbsp;\u2013 Mimmi.Bie@rmc.dk<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><!-- \/wp:list-item --><\/p>\n<p><!-- wp:list-item --><\/p>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li>Sille Schultz,&nbsp;Lektor l\u00e6rerudd., KP&nbsp;\u2013 sksb@kp.dk<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><!-- \/wp:list-item --><\/p>\n<p><!-- wp:list-item --><\/p>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li>John Rasmussen,&nbsp;Professor, AAU&nbsp;\u2013 jrasmussen@hum.aau.dk<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><!-- \/wp:list-item --><\/p>\n<p><!-- wp:list-item --><\/p>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li>Birgitte Momme,&nbsp;Lektor, SDMK&nbsp;\u2013 bmomme12@sdmknet.dk<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><!-- \/wp:list-item --><\/p>\n<p><!-- wp:list-item --><\/p>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li>Thomas Thorsen,&nbsp;Lektor, Professions-h\u00f8jskolen Absalon&nbsp;\u2013 thth@pha.dk<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><!-- \/wp:list-item --><\/p>\n<p><!-- wp:list-item --><\/p>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li>Kristine Ringsager,&nbsp;Lektor, KU&nbsp;\u2013 kringsager@hum.ku.dk<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><!-- \/wp:list-item --><\/p>\n<p><!-- \/wp:list --><\/p>\n<p><!-- wp:heading --><\/p>\n<h2>Author Guidelines<\/h2>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>The articles for this special issue should be a maximum of 6000 words. Besides that, the general submission guidelines for manuscripts to Danish Yearbook of Musicology must be adhered to: \u201cThe main language for publication is English, but articles in German and in the Scandinavian languages are also accepted. Notes and references follow British practice as indicated in the Oxford Style Manual, with use of the author\u2013title system for repeated citations. Please consult the latest issue of the yearbook for style, citation practice, and general approach.\u201d (<a href=\"http:\/\/www.dym.dk\/about_dym.html\">www.dym.dk\/about_dym.html<\/a>)<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:heading --><\/p>\n<h2>References<\/h2>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Bruun, P. S. (2023). \u201dWorlds become in sound\u201d a study in the phenomenology of music creation, being and pedagogic processes of Bildung. \u00c5rhus Universitet.<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Daykin, N. et al. (2017). What Works for Wellbeing? A Systematic review of Wellbeing Outcomes for Music and Singing in Adults. <em>Perspectives in Public Health 138 (1)<\/em>: 39-46.<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Fancourt, D. &amp; Finn, S. (2019). What is the Evidence on the role of the Arts in Improving Health and Well-being? A Scoping Review. WHO Regional Office for Europe (Health Evidence Network synthesis report 67)<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Hallam, S., &amp; Himonides, E. (2022). <em>The Power of Music: an exploration of the evidence<\/em>. Open Book Publishers.<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Katznelson, N., Pless, M., &amp; G\u00f6rlich, A.\u202f(2022).\u202f<em>Mistrivsel i lyset af tempo, pr\u00e6station og psykologisering: Om ny udsathed i ungdomslivet<\/em>. Aalborg Universitetsforlag. Ungdomsliv&nbsp;<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Ottosen et al. (2022). <em>B\u00f8rn og unge i Danmark: Velf\u00e6rd og trivsel 2022<\/em>. K\u00f8benhavn. Vive&nbsp;<\/p>\n<p>Ottosen et al. (2018). <em>B\u00f8rn og unge i Danmark: Velf\u00e6rd og trivsel 2018<\/em>. K\u00f8benhavn. Vive&nbsp;<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Vuust, P. (2017). <em>Musik p\u00e5 hjernen.<\/em> People\u00b4s Press.<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Zbranca, R., D\u00e2maso, M., Blaga, O., Kiss, K., Dasc\u0219l, M. D., Yakobson, D., &amp; Pop, O. (2022<em>). CultureForHealth Report: Culture\u2019s Contribution to Health and Well-being. A Report on Evidence and Policy Recommendations for Europe<\/em>. CultureForHealth. Culture Action Europe<\/p>\n<p><!-- \/wp:paragraph --><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-ae27d12 e-con-full e-flex e-con e-child\" data-id=\"ae27d12\" data-element_type=\"container\">\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Call for Papers 2024 &#8211; Music and Wellbeing We are currently witnessing an escalating well-being crisis among children and young [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-366","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/dnmpfu.nu\/index.php\/wp-json\/wp\/v2\/pages\/366","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dnmpfu.nu\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dnmpfu.nu\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dnmpfu.nu\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dnmpfu.nu\/index.php\/wp-json\/wp\/v2\/comments?post=366"}],"version-history":[{"count":13,"href":"https:\/\/dnmpfu.nu\/index.php\/wp-json\/wp\/v2\/pages\/366\/revisions"}],"predecessor-version":[{"id":578,"href":"https:\/\/dnmpfu.nu\/index.php\/wp-json\/wp\/v2\/pages\/366\/revisions\/578"}],"wp:attachment":[{"href":"https:\/\/dnmpfu.nu\/index.php\/wp-json\/wp\/v2\/media?parent=366"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}